Another very unexpected award has come my way which will be presented in June 2020: The Wigmore Hall Medal. There is no recital and chamber music hall in the world that has the wide range of programming and array of artists as does the Wigmore, and this honour means so much to me.
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It was announced last week that I shall be the 2020 recipient of the City of Leipzig Bach Medal! This is an honour that has been awarded since 2003 to somebody who has significantly promoted the music of J.S. Bach around the world. Nothing could make me happier!
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I’ve been trying for months to post another news item, but something else always gets in the way. My Facebook and Twitter pages get priority—so I apologize to those of you who are not on social media! It’s hard to do it all.
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When we cross over into yet another year, we have no idea what is ahead of us. Well, some of it I can predict: concert dates in the calendar, already scheduled years ago; flights booked months in advance; repertoire plans made eighteen months ago that I must stick to and learn; people I will hopefully see along the way; festival plans well advanced.
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The Trasimeno Music Festival is over for another year. It’s such a special week that it’s very hard to explain it with words if you haven’t been there. The beauty of Umbria, the wonderful venues we have for our concerts, the camaraderie between members of the audience, the joy of the artists who come to perform—all of that makes for something which is quite far removed from ordinary concert experiences.
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This weekend Canada celebrates what art means to their country, and I am very proud to be a part of the Governor General’s Performing Arts Awards. Mind you, they’re keeping me busy! A full day today with meetings, reception at Parliament Hill, sitting in on Question Time, a rehearsal for Saturday night’s Gala, and then a dinner with close friends. Tomorrow is the big ceremony at Rideau Hall, the official residence of the Governor General when I will receive my Lifetime Achievement Award.
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The good news is that I’m much better, and at least now am going out in the street with just one crutch for safety, rather than two. Around the house I don’t need to use them, but mind you, I was just on my feet steadily for almost 6 hours getting ready for yet another trip, and now BOTH feet are killing me!
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5月22日（火）と24日（木）私は紀尾井ホールでBach Odysseyシリーズ第３弾を弾きます。22日は平均律クラヴィーア曲集第1巻を、そして24日はゴルドベルク変奏曲を弾きます。Bach Odysseyは、東京の他、NY,ロンドン、オタワ、フィレンツェなど世界主要各都市で２０２０年までの4年間に12回のリサイタルでバッハの全ソロ鍵盤曲を弾くプロジェクトです。皆様もバッハ歴訪の旅にようこそ！
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The new year started off so wonderfully with a four-day festival, organised by my Trasimeno Music Festival staff, in the Ca’ Sagredo Hotel on the Grand Canal in Venice.
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It’s not possible that we’re already in December. Though when I think of all I’ve done since I last posted in the summer, then it’s enough to fill an entire year or more. I think that when you just look at my online schedule, you get no idea of all the work behind the scenes.
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This is my busiest time of the year–though it all seems busy these days. After a wonderful month on tour in Australia….
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It of course means a lot to me to be performing the complete Bach Odyssey for my hometown audience in Ottawa, Canada. We start tonight….
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My four-year project of performing all the keyboard works of Bach, The Bach Odyssey, has started. Already I have given the first two programmes in the cycle (there will be 12 in total) in places such as New York, Florence, and of course London’s Wigmore Hall. All the French Suites, Inventions, Sinfonias, Cappricios–already presented, and what wonderful music it is! Coming up soon….
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