It’s not possible that we’re already in December. Though when I think of all I’ve done since I last posted in the summer, then it’s enough to fill an entire year or more. I think that when you just look at my online schedule, you get no idea of all the work behind the scenes.
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This is my busiest time of the year–though it all seems busy these days. After a wonderful month on tour in Australia….
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It of course means a lot to me to be performing the complete Bach Odyssey for my hometown audience in Ottawa, Canada. We start tonight….
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My four-year project of performing all the keyboard works of Bach, The Bach Odyssey, has started. Already I have given the first two programmes in the cycle (there will be 12 in total) in places such as New York, Florence, and of course London’s Wigmore Hall. All the French Suites, Inventions, Sinfonias, Cappricios–already presented, and what wonderful music it is! Coming up soon….
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The Bach Odyssey has begun. Over the next four years, I will be presenting all the major keyboard works of J.S. Bach in a series of 12 recitals.
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I had better write something before another season starts! Plus I have just learned how to insert material myself on this new website (there simply wasn’t time during the past year to meet with my new web designer…I’ve been so busy), so I’m eager to try it out. What to say?
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Easter Sunday, and I am sitting in a transfer area at Hong Kong airport. After coming all the way from Nashville to here via Chicago (the last flight a 16-hour one), I am not thrilled to wait four hours for the ferry to Macau.
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Some news that I should share on New Year’s Eve: the Governor-General of Canada has announced new members to the Order of Canada, and I have been “promoted” to a Companion – the highest honour Canada can bestow on one of its citizens.
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This year has been an exceptionally busy one, but perhaps one of the best in many ways. My last update was at the end of July. It’s quicker and easier to post things on Facebook and Twitter these days, and I always seem to have 300 emails in my Inbox to deal with. And that’s in my spare time, which is very spare indeed.
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It’s already almost August, and the Trasimeno Music Festival finished three weeks ago. It is hard to describe the huge effort that it takes to produce it, and I would like to thank all those who gave of themselves to make the whole week the big success that it was: artists, staff, volunteers, sponsors, and especially the private donors and audience who came from all over the world to Umbria for this magical week.
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The 2015 Trasimeno Music Festival in Italy, of which I’m the Artistic Director, is about to begin! It’s always the busiest time of year. That’s why I haven’t written in so long. I’ll be performing in 6 of the 7 programmes—performing three of them twice in one day.
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My week in Tokyo is over. I’m about to leave and get on another very long flight. It was one of the biggest challenges I could give myself: my first performances ever of Brahms’ First Piano Concerto with the Japan Philharmonic in Suntory Hall; and two huge recitals on consecutive days with only one day off (to practise) after the concerto performances.
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Last week my third album of Mozart Piano Concertos for Hyperion received a JUNO award in Canada. I suppose it’s like Canada’s Grammies.
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