Angela,
You remarked I was "first in line" after today's astounding performance at Spivey Hall. I'd like also to be first in line to share that experience with all of your fans.
I have been collecting solo classical and jazz piano media for over thirty years, starting with Keith Jarrett's Koln Concert. I recently drove 15 hours RT to see Bruce Hornsby, worth every dollar and every minute. But nothing could have prepared me for today.
As you mentioned, the venue was dead still and quiet throughout. I think we were all mesmerized. My eyes were glistening less than a moment into the performance, and I sure wasn't the only one shedding a tear or two. Once I recognized intermission, a long, pent-up burst of air escaped from me.
I was disappointed that, seated at the far right of the hall, I couldn't see your hands, but that was serendipitous as I had a clear and direct view of your expressions as you played. It was spellbinding and gave me an addition to your art I will always have with me.
The finish of Le Tombeau de Couperin was beyond my powers of description. I wanted to jump in the air with a feeling of triumph, like we golf fans do when our favorite player totally nails a shot few would ever even attempt.
When you started "Clair de Lune," I shook my head in disbelief and wonder. It was the perfect wind down, and driving down to the venue, I had asked myself what I would most like to hear as an encore. "La Fille aux Cheveux de Lin," I decided. Guess I'll hear it for Christmas. 🙂
Thank you again for not only your music, but also for your graciousness and time you give us as we dearly appreciate you.
best, Jon