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DTSTART;TZID=Europe/London:20260926T193000
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DTSTAMP:20260715T073455Z
CREATED:20260715T073407Z
LAST-MODIFIED:20260715T073455Z
UID:24806-1790451000-1790458200@angelahewitt.com
SUMMARY:Concert in Glasgow
DESCRIPTION:Joseph Haydn Symphony No.6 “Le Matin”\nCarl Philipp Emanuel Bach Keyboard Concerto Wq. 20 in C\nMarianna Martines Sinfonia in C\nWolfgang Amadeus Mozart Keyboard Concerto No.14 K. 449 in E-flat \nAngela Hewitt fortepiano\nMatthew Truscott violin & director \nAlive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage. The line between soloist and ensemble blurred\, and music unfolded as an intimate\, evolving conversation. Within this world\, composers such as Haydn\, C.P.E. Bach and Martines each contributed to a shared musical language\, testing its boundaries\, refining its forms and shaping its future. A young Mozart\, absorbing these influences\, would carry them forward with extraordinary fluency and imagination.  \nAlongside internationally renowned pianist Angela Hewitt we aim to shine a light on a culture of collaboration\, where the keyboard and ensemble engage as equal partners\, and where every musical idea feels part of a wider\, living dialogue.
URL:https://angelahewitt.com/performance/concert-in-glasgow/
LOCATION:New Auditorium\, Royal Concert Hall\, Sauchiehall Street\, Glasgow\, G2 3NY\, United Kingdom
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DTSTART;TZID=Europe/London:20260927T193000
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DTSTAMP:20260715T073805Z
CREATED:20260715T073805Z
LAST-MODIFIED:20260715T073805Z
UID:24810-1790537400-1790537400@angelahewitt.com
SUMMARY:Concert in Edinburgh
DESCRIPTION:Joseph Haydn Symphony No.6 “Le Matin”\nCarl Philipp Emanuel Bach Keyboard Concerto Wq. 20 in C\nMarianna Martines Sinfonia in C\nWolfgang Amadeus Mozart Keyboard Concerto No.14 K. 449 in E-flat \nAngela Hewitt fortepiano\nMatthew Truscott violin & director \nAlive with musical exchange\, 18th-century Vienna was known as a city where composers\, performers and patrons moved within the same close-knit circles\, sharing ideas as readily as they shared the stage. The line between soloist and ensemble blurred\, and music unfolded as an intimate\, evolving conversation. Within this world\, composers such as Haydn\, C.P.E. Bach and Martines each contributed to a shared musical language\, testing its boundaries\, refining its forms and shaping its future. A young Mozart\, absorbing these influences\, would carry them forward with extraordinary fluency and imagination.  \nAlongside internationally renowned pianist Angela Hewitt we aim to shine a light on a culture of collaboration\, where the keyboard and ensemble engage as equal partners\, and where every musical idea feels part of a wider\, living dialogue.
URL:https://angelahewitt.com/performance/concert-in-edinburgh-4/
LOCATION:The Queen’s Hall\, 85-89 Clerk Street\, Edinburgh\, EH8 9JG\, United Kingdom
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